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Cédric Durand: “Living Together”

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September 13, 2023, 3:42 am

On eco-socialist visions.

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Marco D'Eramo: “Western Pravdas”

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September 14, 2023, 2:11 am

The new orthodoxy.

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Ramón I. Centeno: “The Mexican Question”

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September 16, 2023, 3:53 am

Assessing AMLO’s record.

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Lorna Finlayson: “The Sycophant”

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September 21, 2023, 5:44 am

On academics.

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Eli Zaretsky: “Psycho-Politics”

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September 22, 2023, 5:32 am

Diagnosing moralism.

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Timothy Erik Ström: “Blasted Sea”

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September 22, 2023, 10:01 am

Perils of offshore exploration.

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Alice Blackhurst: “Troubled Voices”

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October 5, 2023, 2:46 am

Anne Serre’s metafictions.

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William Callison: “Milei’s Chainsaw”

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October 5, 2023, 3:47 am

The far right rises in Argentina.

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Joshua Rahtz: “Mapping Turbulence”

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October 6, 2023, 9:30 am

In defence of Robert Brenner.

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Tariq Ali: “Uprising in Palestine”

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October 7, 2023, 2:35 pm

Gaza versus apartheid.

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Panagiotis Sotiris: “Kasselakis Ascendant”

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October 11, 2023, 7:19 am

Syriza’s entrepreneurial turn.

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Marco D'Eramo: “Border Lines”

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October 12, 2023, 3:40 am

Constructing partition.

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Sai Englert: “Impending Genocide”

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October 16, 2023, 7:02 am

Can we stop the Israeli war machine?

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Alexander Wells: “Speak, Geology”

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October 20, 2023, 5:23 am

The ‘terrain-novels’ of Esther Kinsky.

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Gavin Rae: “The Polish Continuum”

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October 20, 2023, 7:27 am

Prospects for Tusk in power.

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Lola Seaton: “That Which Haunts”

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October 26, 2023, 10:18 am

Louise Glück (1943–2023).

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James Wham: “Humans and Trees”

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October 27, 2023, 8:55 am

Hayao Miyazaki’s ‘The Boy and the Heron’.

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Pablo Pryluka: “Argentina Realigned”

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October 27, 2023, 9:08 am

After the elections.

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Thierry Discepolo: “Maspero’s Legacy”

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October 31, 2023, 3:08 am

François Gèze (1948-2023).

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Erika Balsom: “Landscapes of Contestation”

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November 2, 2023, 4:35 am

At Tokyo’s Photographic Art Museum.

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